Definitely. The texture of the canvas, the light and shadow in the room, the variations between the paints or other media, and of course the size matter a lot. All good painters reinforce their work with some of those, all great painters optimize their work using all of them.
Woman with a Parasol has particularly magnificent brushwork. It’s clear Monet was a master of blending color from the digital image, but how he blended color and texture is breathtaking, fantastically delicate and consistent.
I highly recommend checking out whatever art museums are around you. Even if they don’t have a lot of work from old masters, there are thousands, maybe even millions of paintings worth seeing in person. If it has to be Monet, entrance to the National Gallery in DC is free and the couch in front of this painting is a good place to spend fifteen minutes. Dozens of other marquee Impressionist works, too, and several Van Goghs with even more extreme brushwork just down the hall.
Definitely. The texture of the canvas, the light and shadow in the room, the variations between the paints or other media, and of course the size matter a lot. All good painters reinforce their work with some of those, all great painters optimize their work using all of them.
Woman with a Parasol has particularly magnificent brushwork. It’s clear Monet was a master of blending color from the digital image, but how he blended color and texture is breathtaking, fantastically delicate and consistent.
I highly recommend checking out whatever art museums are around you. Even if they don’t have a lot of work from old masters, there are thousands, maybe even millions of paintings worth seeing in person. If it has to be Monet, entrance to the National Gallery in DC is free and the couch in front of this painting is a good place to spend fifteen minutes. Dozens of other marquee Impressionist works, too, and several Van Goghs with even more extreme brushwork just down the hall.