Roguelite gameplay is a natural fit here but I just can’t with this art style. 😔

I don’t think he’s particularly strident here or anything in Japanese, but the headline here would have been better off sticking with the machine translated “nothing has changed” in the article.

There isn’t any optimism in Matsuno’s words here. I would have added “as always” to “economic disparity remains the same” and “again” to his comments about armed conflicts. He sounds tired of the cycle.

New engine, new gameplay style, new [licensed] IP. Lots of variables. Owlcat’s exploded in size recently but I can’t quite tell yet if this is their big swing like BG3 was for Larian.

I’m also confident the writing will be competent, and Ty and Daniel have have a good track record of being available to assist on adaptations. I just hope I like the player characters more this time around. I didn’t quite click with anyone in the Pathfinder games (haven’t tried Rogue Trader yet).

Once bitten, twice shy. They’ve had really mixed results doing this with the brand in the past, and their current corporate strategy suggests it’s not happening again anytime soon.

I think the Bravely series is the closest to that we’ll be in these times, although it’s not even clear at this point if that series is continuing or not.

Final Fantasy X was also the first pure turn-based game in the mainline series since 1990.

I keep hearing people cite Final Fantasy nostalgia with Expedition 33, but pure turn-based combat with realistic graphics happened exactly once in all of Final Fantasy. I don’t get it. Pure turn-based is much more of a thing in the rest of the genre, including SQEX’s other properties.

The writing was already on the wall following the massive successes of Persona 5 and Honkai Star Rail. Expedition 33 had its moment in the zeitgeist, but at this time it’s not clear it will be the massive revenue generator those games are. And that’s the goal for mainline FF.

That said, SQEX has been very internally-driven for a while now, and their major teams get more excited about developing games with action elements. I’d be very surprised if FF17 returned to turn-based for that reason alone.

conventional wisdom does not apply

All the more reason why it’s far too early to draw any conclusions.

It’s too early to draw any conclusions. Take it from Mat Piscatella, who’s forgotten more about video game market research than I ever learned myself.

Hardware launches are not like game releases, anyway. It’s the establishment of a new product market, and early game releases on consoles have an ebb and flow to them that later blockbusters do not. It’s about building growth, not first-week sales.

Ouch. Even selling it to Fandom would have been better than this.

You’re not going to find more text/explicit plot than you have already. That said, there is good environmental storytelling in the last zone of the game. The next zone for you (Wrecked Ship) might have a little more for you to chew on. I’d say get through that zone and then see how you feel about it. If you like it, the ending will probably feel rewarding.

Half-Life 2 always stands out in my mind for this due to it being such a physics playground.

I usually hate water areas in games, though 😂 Especially the Zelda ones.

There’s almost no multiplayer in Honkai Star Rail, though, much less anything approaching what an MMO does. It has asynchronous character sharing and one-to-one chat. That’s literally all the player interaction there is in the core game. Every now and then there’s an event where you can go head-to-head in simple games like match 3.

I tried a bunch of these today and yesterday. EDIT: also tacked on impressions of demos for After Inc: Revival, Kaizen: A Factory Story, and Tainted Grail: The Fall of Avalon.

In the “Shut Up and Take My Money” tier:

• Bits & Bops - Sure, it’s a total Rhythm Heaven clone but, hey, why mess with a winning formula? Still, I worry about devs borrowing this heavily from Nintendo titles these days 😬
• Dispatch - I only needed 10 minutes with this to know I’m sold. The animation is gorgeous and it has a hell of a cast. Between this and Expedition 33, how are new studios getting these people!?
• Mina the Hollower - Shovel Knight’s the best retro game I’ve seen and I didn’t need to see much of Mina to know that Yacht Club delivered again. It’s got a Zelda vibe (the jump especially feels just like it did in Link’s Awakening) along with all that other 8-bit-with-present-day-game-design goodness. I also cut this one short so I can enjoy it in full later. Day 1 for me.

Pretty good but a couple hiccups:

• Forestrike - Hey, PlayStation gamepad glyphs! Always appreciated. Outstanding atmosphere in general. The pixel graphics are interesting; the character design reminds me of old Sierra games. I wonder if at some point during dev they considered just not going roguelite? There’s real storytelling talent here and I think a linear game with increasing complexity might have been even better (and helped to not undercut the narrative as roguelite progression tends to do).
• inKonbini - Very short demo, but the gameplay seems it’d be good and vibe is cozy. Really strange that the written Japanese is gibberish. It seems too elaborate to be placeholder text, so I wonder what the story there is? It takes me out of the life sim aspect of this a bit.
• Kaizen: A Factory Story - I found a lot to like with this. I tend not to like puzzle games, but when I find one that’s interesting, I tend to really like it. The setting is also great. After a very short demo, the only thing I’m not sure on is how long the full game is going to be. I’d like to get this, but the price has to be right.
• MIO: Memories in Orbit - This one was up and down for me across the board: music, gameplay, systems, visuals. The tutorial sections are outstanding work and worth the download for that alone (there’s one right away). While I think the metroidvania design here is good, I wasn’t sold on the graphics. At times it’s difficult to parse out what’s a platform and what’s background, and there are weird blind spots with camera on top of that. I also can’t believe they went with the map system from Hollow Knight, the only real negative of that game.
• Tainted Grail: The Fall of Avalon - I see this one just went 1.0 after an early access period, and critic reviews have been mixed. Understandable why old Elder Scrolls fans are feeling this is scratching an itch. I think there’s a lot to like here, but I might ultimately skip it. The prevailing thought I kept getting through the demo is that this studio’s next game is going to be great.

Not for me:

• After Inc: Revival - This ended up playing more like a clicker game than I was expecting. This seems not bad, but this isn’t my kind of game.
• BALL X PIT - The gameplay pacing on this is unpleasant, with the roguelite elements stopping the action too much. Kept wanting to get into a flow state and was constantly interrupted.
• Bloodgrounds - All the other demos I played came ready with story and this one feels underbaked in that department. What I played of the demo was almost all gameplay. Didn’t see much that sets it apart from the pack.
• Dice Gambit - I don’t think this strategy game gets the basics down well enough to add on the dice layer. Feels like one move should be guaranteed regardless of rolls (and lack of move undo is unfortunate also). The art style also isn’t for me.

They improved the handcrafted dungeon stuff in P3R, so I think it’ll probably still be better, but definitely not P5 level.

This seems a long way out though.

“Teaser” is certainly accurate. This was little more than a title card. So much for this coming out this year.

I wouldn’t expect dungeon overhauls. It will most likely still be procedurally generated like P3R was.

Would never have guessed Owlcat’s new game would be in The Expanse universe, or that it would be an action RPG, for that matter.

I’m a huge fan of The Expanse so I’m going to check it out regardless, but I don’t know how this is gonna go.

Played through the demo for this and thought it wasn’t bad. The tutorial sections are big highlights, which I think is smart design for a metroidvania. Enjoyed this overall more than Nine Sols, which I didn’t like anywhere near as much as seemingly everyone did.

Biggest negative is that it uses Hollow Knight’s map system, which was easily my least favorite part of that game.

I’m interested and I’ll keep an eye out for gameplay on this, but holy hell is this name bad.

Fortunately, Silksong’s never missed a release window before.