…are people really paying for a music subscription service to listen to the same music on repeat? I pay a service because I listen to like at least 4 new albums every week, minimum.
this post is just to placate a group of people. i prefer streaming for new music friday. i also don’t want another crate or hard drive of shit i lost interest in.
I pay for Apple Music (well, technically I get it as part of Apple One) for one reason: the library matching function. I have half a gig of mp3s on my home computer, many of which are not on any streaming service, and apple makes them all available to every device I own.
Me too. However I recognize that many people are content to listen to the same things they enjoyed in high school forever. In which case they definitely do not need streaming
This is making some significant assumptions, don’t you think? That I sample the buffet does not mean that I don’t also cherish and return to familiar recipes.
I have no kids, no pets, and a job where I can listen to music the entirety of my shifts while working. I have music on in some capacity probably an average of 12 hours a day. 4 albums a week, even when listening to them each 6 six times, is a fraction of my listening.
Music listening is my primary “hobby” and interest.
Dunno if I go actively searching for difficult music, so I may not have the best answer for that specifically, but here are 5 albums I consider hidden gems or underappreciated:
Horse Bitch - RIP Pistachio
Tattle Tale - Sew True
Gaytheist - The Mustache Stays
Codefendants - This Is Crime Wave
Irist - Gloria (actually an EP, if you’ll allow it).
These probably won’t take you 5+ listens to appreciate, but I do think they’re smaller releases worthy of greater attention. Hopefully that’s close enough for you. ✌️
If you listen to any of them and have thoughts you want to express, feel free to let me know! I basically always love any excuse to talk about or listen to people talking about music I like.
This is true, but you should really give something a good few listens before you come to a conclusion. Good things can turn bad just as much as bad things turn good.
I truly wonder where in my post I implied that I am drawing significant conclusions without giving something a good few listens. Again, I think you are making assumptions of my listening habits based on severly limited information presented to you.
No, I think you’re absolutely right and it’s comforting to know there are others who do this too. I have a kind of 3-5-7 trial period for getting into new music. If it’s crap but I want to give it a chance, I’ll do 3-5 album plays; if it’s ok but has potential I might not see, 5-7 plays. Anything challenging but enjoyable gets minimum 10 plays.
About the self inducement, that is making me question myself a little. There are things that I’ve tried over and over to get into that I just cannot no matter what, but I’m seriously questioning if it really is possible to “make” yourself like something through type of, I guess familiarity?
I think the counter argument to self inducement is that I can really go off something that I hear too many times (usually on the radio). Even if the first listen wasn’t too bad.
…are people really paying for a music subscription service to listen to the same music on repeat? I pay a service because I listen to like at least 4 new albums every week, minimum.
this post is just to placate a group of people. i prefer streaming for new music friday. i also don’t want another crate or hard drive of shit i lost interest in.
I pay for Apple Music (well, technically I get it as part of Apple One) for one reason: the library matching function. I have half a gig of mp3s on my home computer, many of which are not on any streaming service, and apple makes them all available to every device I own.
For me, thats worth the monthly price.
Wait…that’s a peak feature, rare apple W
Me too. However I recognize that many people are content to listen to the same things they enjoyed in high school forever. In which case they definitely do not need streaming
It took me 10 listens to get into Jimi Hendrix. You are consuming quantity but quality requires effort.
This is making some significant assumptions, don’t you think? That I sample the buffet does not mean that I don’t also cherish and return to familiar recipes.
I’m assuming you have a similar amount of free time as me and are not able to fit in enough listens to become familiar.
I have no kids, no pets, and a job where I can listen to music the entirety of my shifts while working. I have music on in some capacity probably an average of 12 hours a day. 4 albums a week, even when listening to them each 6 six times, is a fraction of my listening.
Music listening is my primary “hobby” and interest.
In that case, what are your top 5 undiscovered gems that need 5+ listens to appreciate.
What are the modern Captain Beefhearts?
Dunno if I go actively searching for difficult music, so I may not have the best answer for that specifically, but here are 5 albums I consider hidden gems or underappreciated:
Horse Bitch - RIP Pistachio
Tattle Tale - Sew True
Gaytheist - The Mustache Stays
Codefendants - This Is Crime Wave
Irist - Gloria (actually an EP, if you’ll allow it).
These probably won’t take you 5+ listens to appreciate, but I do think they’re smaller releases worthy of greater attention. Hopefully that’s close enough for you. ✌️
Never heard of any of them, so a perfect response. Thanks!
If you listen to any of them and have thoughts you want to express, feel free to let me know! I basically always love any excuse to talk about or listen to people talking about music I like.
or self inducing yourself into liking by listening to it so much
I don’t this works with all music.
The first few listens I thought it was garbage. But I decided it must be me who is wrong, not everyone else.
Or, that taste is subjective and that there is no right and wrong. You are allowed to not like something others do.
This is true, but you should really give something a good few listens before you come to a conclusion. Good things can turn bad just as much as bad things turn good.
I truly wonder where in my post I implied that I am drawing significant conclusions without giving something a good few listens. Again, I think you are making assumptions of my listening habits based on severly limited information presented to you.
Because if I listened to a minimum of 4 new albums a week then I wouldn’t have the time to repeat any.
It was applying your statistics to my habits.
Ummm, albums are about an hour long each.
Understandable, except you forget that you and I are in fact different people with it sounds like radically different listening habits. Cheers ✌️
No, I think you’re absolutely right and it’s comforting to know there are others who do this too. I have a kind of 3-5-7 trial period for getting into new music. If it’s crap but I want to give it a chance, I’ll do 3-5 album plays; if it’s ok but has potential I might not see, 5-7 plays. Anything challenging but enjoyable gets minimum 10 plays.
About the self inducement, that is making me question myself a little. There are things that I’ve tried over and over to get into that I just cannot no matter what, but I’m seriously questioning if it really is possible to “make” yourself like something through type of, I guess familiarity?
I think the counter argument to self inducement is that I can really go off something that I hear too many times (usually on the radio). Even if the first listen wasn’t too bad.