Star Wars Episode I: The Phantom Menace is historically significant for many reasons: it was the first Star Wars movie in nearly 16 years, the last Star Wars movie shot on film, and a polarizing, pulpy entry in the storied space fantasy franchise. It debuted on May 19, 1999, 25 years ago almost to the day, and earned over $1 billion at the box office, despite mostly mediocre reviews.
Its legacy is an interesting one: One of its characters, Jar-Jar Binks, was so detested that the actor who portrayed him, Ahmed Best, faced what he told The Hollywood Reporter was “the first textbook case of cyberbullying.” Several racially insensitive aliens featured in the film remain a mark on the series to this day. The dialogue is weak and often incredibly grating.
Yet its late-stage lightsaber battle is the stuff of legends, its production and costume design is intricate and beautiful, and the infamous podrace scene is exhilarating. It is a Star Wars movie full of contradictions, so when my partner asked if I wanted to go see The Phantom Menace at our local Alamo Drafthouse, I jumped at the chance.
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But despite all that is cringe and problematic in The Phantom Menace, watching it in theaters instilled in me a newfound sense of respect for the film.
I didn’t quite like the Prequels when they came out, it seemed obvious that Lucas had been given way too much freedom and not enough people were there to rein him in on his stupider ideas. He got a bit lazy and too overly reliant on CGI, but the core idea of the Prequels still seems solid. It’s a story about the fall of the Republic, of the Jedi, of Anakin Skywalker, and of the rise of a dictatorship, of the Empire, all based on a few scraps of dialogue from ANH. It definitely created a distinct era from the OT, which was a hard act to follow for anyone, and it did a far better job than Disney’s drunken reign at the helm.
Lucas just really floundered on the execution of the whole thing, too many people thought he was a genius, and there wasn’t enough people around like Harrison Ford to push back with, “You can type this shit, but you sure can’t say it!” I liked one idea somebody had had to replace Naboo with Alderaan, to actually give the audience some sort of background as to what was lost, instead of the silly fish world that drove Sheev Palpatine to become an evil Sith Lord. Anakin’s turn to the Dark Side felt tacked on (much like in Game of Thrones with Daenerys), it’s apparently hard to write good characters turning evil in a believable way.
That would have been nice