By no means. Jamtland, Herjedalen, and Bohuslen can stay in the bubble, but the rest of Sweden can go and find their own bubble.

I am disappointed that we have to be in a bubble with Sweden… Other than that: good map

“In the room ahead is a spider artifact. Take it! We will need it to reach the Santieri Crystal.” Also “There is but one gift I can offer that is equal in value to an Elder Scroll and my daughter: I offer you my blood. Take it and you will walk as a lion among sheep, men will tremble at your approach, and you will never fear death again.”

I think you are taking that post the wrong way. For context every character in Star Rail falls into 3 (iirc) categories: short, medium, or tall, and every character within a category has the exact same body type, just with different accessories and textures. What that post is saying is that this is a character is in a category (medium/maiden) that does not have the exact same body as other characters in the same category, which might mean that in the future the characters will have more diverse models/body types.

That’s not to say that some people don’t get unduly angry over how their characters look, but that’s not what is happening here.

You couldn’t have written this on that keyboard. That keyboard has no a (or z).

The short text at the back of the book/cover that is usually a summary of what the book is about, I believe. Also often had some short reviews, like the op title refers to. (The stuff you look at when you are deciding if you want to read the book or not, generally.)

It’s equally, or more, correct to say “female/male people”. It’s just like “poor people” is ok, but “the poors” makes you sound like an asshat. Including “people” makes the difference.

I’m guessing they are refering to Dragon Ball (Goku). Whose original voice actress (in Japanese) is Masako Nozawa.

Norway as well. 90+9 is the official way, 9+90 is the way from when the Germans occupied the country. Both are still used. The map also says Georgia and Finland also use two variations.

Surprisingly, I think I disagree with most of what you’ve said in this comment.

While I understand that it can be discouraging for a creator to have the species and cultures that they have worked on not really be explored by the majority of players I don’t think it is an issue most of the time.

It also seems a bit odd to me to lump elf, half-elf, and presumably also dwarves in with humans, given that they usually make for the hard core of fantasy races. If those aren’t considered distinct then I’d wager that maybe the issue isn’t that they are less distinct and cool compared to other races but something else. Either that races that are seen as “distinct” actually lean into some sort of “gimmick”, or that people simply pick what they think looks good, and they aren’t into how Gith look, for example.

While I know there is a large group of people playing Human mainly, I feel like that reflects the fantasy that is being set up by most games that I have engaged with. Humans are the “standard” and other races are exotic, deeply different, and usually rare. At least that’s what seems to me like the most common fantasy setting type (and also my preference). That’s why I don’t mind when the majority plays humans, as that does reflect the story of the game. It seems more odd to me when the party strolls into town and they have a tiefling, drow, aasimar, and lizardfolk. When all those races are stated to be unique, strange, and alien to most people and those players don’t really get a chance to shine with their “weirdness” in the party because there is no baseline that they can compare themselves against. After all: when everyone is super, nobody is.

The only time I can recall this creating a ludo-narrative dissonance is in Guild Wars 2, where humanity is supposed to be a dying (alien) race with few members left. By all accounts the people of the land should be a majority of charr (cat-people, basically). But of course, the “human female meta” as it is called (meaning people playing conventionally attractive human, female characters with “the sexy outfit”) is greater, and as it turns out most people are playing humans. The result being that what you see when walking around is mostly humans when it “should” be mostly charr. A lot of people just play characters they think “look good”.

As for why people are playing humans. I think there is a reason that you haven’t touched on. I, for example, will play a human for almost every one of my characters unless I have a good reason not to. This is because I base my characters around a theme or a story and I want the focus on the character to be on that theme or story, and not on their species.

I also don’t think designers make humans boring or bad on purpose to discourage players from playing them. They could just not include humans if that is what they wanted (Plenty of good examples of this. Mousegard and Humblewood for RPGs. Deep Rock Galactic, Dwarf Fortress and a ton others for video games). I think most often it comes down to people not knowing what to do with humans. Most fantasy races tend to be “human but x”, so when you are making a human you don’t really have anything “but”, meaning that you usually end up is a situation of “humans, well, we all know what a human is, don’t we? I can’t see anything special about humans that one of these other races don’t embody in a greater capacity.”. (Side note: I like how GW2 handled this. The 5 races have fairly good and distinct themes. Charr are militaristic, Asura are obsessed with knowledge, Sylvari are young and still figuring out the world, Norn are shapeshifting and spiritualistic, and Humans are devoted to their gods who brought them to this world.)

I mean, in Norway we have the Pirate Party (that’s their official name) and they seem like an alright bunch. It’s a political party trying to champion online privacy.

As far as I’ve gathered Valve “accidentally” created the elf tag instead when the dwarf tag campaign happened. When someone noticed they went “oh, whoopsie, hehe” and added the dwarf tag too. So elf should also be a tag now.

In Norway I’ve only seen eggs sold in packs of 6, 12, 18, or 24. As far as I can remember, anyway.

Also Aid Worker Sya from Guild Wars 2. Minor character, but still.

Sounds similar to the system they use in WFRP 4e. Also a system that is very elegant and far better than the system used in DnD 5e. Similarly to PF2e (as far as I gather with a brief search) items are assigned a value between 1-3 and players usually have a carry value of around 6 to begin. Any item that is worn gets -1 and items in backpacks/containers do not count towards the limit (but they have weight/bulk/encumbrance points themselves).

Meanwhile my fighter has 18 strength and is encumbered by the items he got from character creation… I don’t think 5e did a very good job with encumbrance. There is a reason most people ignore it.

Over here in Norway it seems like Fairytale of New York is played on the radio almost every day of December and surprisingly often otherwise.

Command has a range of 60 ft. If it was 5 ft. the approach command would be pretty useless.

Fellow Norwegian here. Seems like you’ve encountered a classic “sær skrivingsfeil”. (For non-norwegians: The type of mistake described in the main post is called “særskrivingfeil”, “sær skrivingsfeil” means “odd/weird writing error” and is itself a mistake of the “særskrivingsfeil” type.)

Personally I would probably answer the sj/kj issue, but I saw that you’ve mentioned it in a comment, and after thinking a little about it there is a bigger issue I have: People don’t love the langauge. What I mean is that Norwegian is a beautiful language with many amazing words, but because people don’t love it there is a perception that the langauge is “limited” or “boring”. I’d love to read books in Norwegian, but the fact is that most authours/translators I’ve come across aren’t very good at Norwegian, and it makes the book worse to read. Part of this issue is with machine translation. I was talking to a family member about this, and he mentioned that he had noticed a trend in the Donald Duck comics (which are/were hugely popular in Norway) from when he was young, and the lead translator of the comics was a teacher of Norwegian who loved the language, and the newer ones, after machine translation has taken over, and the difference was night and day. However, just to not be entierly negative I’ll give you an example of someone who did this well: the people who translated the Spook’s series (Den Siste Lærling) did a stellar job in my estimation with giving the names of things good Norwegian names and generally translating it well.

English, on the other hand, I feel like has not suffered as much from this, because they have benefited greatly from prominent writers who loved the language. I’m talking particularly within the sphere of fantasy, as that is where I am most familiar, where people like Tolkien and Gary Gygax are both extremely prominent writers who loved English and would use all those words that would (I think) have fallen out of the language if they hadn’t put them in the public eye. I also think that while others who aren’t as invested in the language would go on and write later, they would borrow some of the style from these earlier writers, because that’s what the genre “sounds like”. I think Norway needs a movement like this. People who dig up obscure Norwegian words that they can use as lables for things, and by doing that thrusts those words into the minds of readers, who will look up the definitions of those words and have richer lexicons as a result.

Another Norwegian here. The sidene between the two is that words have stress, and compound words thus (generally) only has one (primary) stress. So “prinsesse pult” has stress on both words while “prinsessepult” only had one stress. (Also, in my dialect “pult” meaning desk is pronounced /pult/ while “pult” meaning fuck is pronounced /pu:T/ (capital T standing in for retrofleks t in this case) so pronounced that way “prinsessepult” becomes “fucked like a princess”)