Nolan has lost the plot and has become one of those directors who loves the smell of his own farts. Can’t hear my shitty audio? That’s your fault! You didn’t understand my ridiculous plot? That’s your fault! Etc.
Why is it such a sin to cater to a different audience to you? If you don’t enjoy his movies then don’t watch them. He’s one of a handful of screenwriters who does complex stuff, there’s an absolute deluge of lighter stuff for the rest of you.
What would you say to a person who continues to eat fish, even though they hate it and spit it out each time? “Stop eating fish, that’s your fault.”
To offer a different perspective, I feel like that argument works more for something you knew you didn’t like from the beginning, but less so for something you used to like. I don’t listen to bands I don’t like but when an artist I do like puts out a string of albums I think suck, it’s hard not to give each one a shot thinking “maybe this one will be better.”
I tend to disagree with your opinion here. There is a level of objectivity within the realm of taste. I will continue to warn people not to eat pea gravel even if it has a great mouthfeel, for instance.
The plot is less complex than it appears at face value, because at face value most people are lacking the dialogue that despite Nolan’s protestations has a lot of valuable information within it. Is it great art because he makes you suffer for it? Is The Prestige worse because it’s enjoyable to rewatch?
I don’t consider The Prestige to be one of his better works. I like to be left thinking. The Prestige has closure and explanations built in. It’s like the age-old books vs. movies argument: people nearly always say the books are better because books offer the reader agency. It’s not merely because they enjoy looking down their noses at us movie goer mortals - they enjoyed the books more because their preferred interpretation of the words were layered above the literal text.
I didn’t suffer through Tenet, I was completely immersed - which almost never happens for me. I needed absolutely none of the muffled dialogue to figure out what was going on - and I didn’t watch it in a cinema.
And if you hated it and suffered through it, that’s fine too. I don’t get why you have a problem with other people enjoying it.
Hot take, but the one where Matthew McConaughey gets stuck in a bookshelf was ass too. It started out good, but then got way too up it’s own ass with interdimensional nonsense.
Nolan has lost the plot and has become one of those directors who loves the smell of his own farts. Can’t hear my shitty audio? That’s your fault! You didn’t understand my ridiculous plot? That’s your fault! Etc.
Why is it such a sin to cater to a different audience to you? If you don’t enjoy his movies then don’t watch them. He’s one of a handful of screenwriters who does complex stuff, there’s an absolute deluge of lighter stuff for the rest of you.
What would you say to a person who continues to eat fish, even though they hate it and spit it out each time? “Stop eating fish, that’s your fault.”
To offer a different perspective, I feel like that argument works more for something you knew you didn’t like from the beginning, but less so for something you used to like. I don’t listen to bands I don’t like but when an artist I do like puts out a string of albums I think suck, it’s hard not to give each one a shot thinking “maybe this one will be better.”
Christopher Nolan movies are good, they just drag on.
Oppenheimer was exactly 3 hours and 18 seconds.
I tend to disagree with your opinion here. There is a level of objectivity within the realm of taste. I will continue to warn people not to eat pea gravel even if it has a great mouthfeel, for instance.
The plot is less complex than it appears at face value, because at face value most people are lacking the dialogue that despite Nolan’s protestations has a lot of valuable information within it. Is it great art because he makes you suffer for it? Is The Prestige worse because it’s enjoyable to rewatch?
I don’t consider The Prestige to be one of his better works. I like to be left thinking. The Prestige has closure and explanations built in. It’s like the age-old books vs. movies argument: people nearly always say the books are better because books offer the reader agency. It’s not merely because they enjoy looking down their noses at us movie goer mortals - they enjoyed the books more because their preferred interpretation of the words were layered above the literal text.
I didn’t suffer through Tenet, I was completely immersed - which almost never happens for me. I needed absolutely none of the muffled dialogue to figure out what was going on - and I didn’t watch it in a cinema.
And if you hated it and suffered through it, that’s fine too. I don’t get why you have a problem with other people enjoying it.
Hot take, but the one where Matthew McConaughey gets stuck in a bookshelf was ass too. It started out good, but then got way too up it’s own ass with interdimensional nonsense.
And here I thought that Interstellar made the most sense out of many of his movies.
I’ll give them that I didn’t see it coming.
The plot was far too convenient. No spaghetti faction no title forces he could just navigate the tesseract like it was walking across the room.
MURPH