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There are two kinds of wokeness I complain about:
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Hernia level virtue signaling - this is when a production company is straining super hard to make sure we know they’re the good guys, but the writers don’t have the brains to come up with interesting allegories, or even super-transparent ones like the half-black/half-white dudes in the TOS episode. All they can muster up is character dialog like, “Wow, look how backward this time period is! So much misogyny and discrimination!” Yeah duh, I live in this time period and I’m not stupid. (talking to you, Picard season 2)
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Misrepresenting the past - this is when they portray let’s say Victorian England or 1950s America as a fully integrated society where characters of all races mix freely, with equality at all levels. That’s not how it was, kids. The black housewife in 1953 Ohio would not have a white maid, although she might work part time as one in a white household. You don’t raise social consciousness by painting a fake picture of history to avoid upsetting your audience. That does no service to the people who still feel the effects of those times.
But oh right, I forgot, the point is profit not genuine social consciousness - sorry, my bad.
/edited for grammar
While I agree with your first point - corporate pseudo-progressivism is a stain - I don’t really think it’s fair to call it “woke”. In fact, it’s almost the opposite of what woke is supposed to mean. To be “woke” originally meant having “woken up” to the reality of systemic racism… Corpos thoughtlessly stuffing games/films with “diverse” casts are not really respecting that reality. It’s performative. There is an argument that it improved things for actors regardless, but I still don’t think it’s “woke”.
On your second point I have to slightly disagree. Taking Bridgerton as an example - set in something like Victorian England, but a racially diverse one. The Queen is black, there’s a black Duke. I think these things immediately set the story apart from real Victorian England. Ok, perhaps if you know nothing about history it might be confusing, but to me I see those things and immediately one of two things is true:
- We are suspending our disbelief. Just like the pantomime dame, within the world of the play, is a woman and not a man in costume, we can assume that we’re seeing black actors playing characters who would have really been white… Like Queen victoria.
- The world we see is not an accurate representation of history. In this world we might assume that slavery was abolished sooner, or never started, and black people moved not just into the lower but the higher echelons of British society.
Given that it’s fiction, I don’t mind either of these things. I think it’s nice for people who aren’t white to be able to imagine themselves in those stories, even if in the real history things would have been much different. Bridgerton isn’t trying to present a vision of real historical events, it’s primarily a romance. Just like mediaeval fantasy isn’t really medieval, Victorian romance doesn’t need to really be Victorian. We don’t need to see the systemic racism any more than we need to see the cholera or dropsy or whatever.
I will also just briefly shill for Taboo which I just finished - that’s a historical show which incorporates a “realistic” amount of diversity into it’s cast while maintaining (at least what appears to me) a level of historical accuracy. The story is fictional, although it appears around real events… But the world it presents feels genuine. Crucially by contrast to Bridgerton, slavery plays quite an important role in the story - so here it would feel absurd to have a black Queen or Duke.
Haven’t seen Taboo but Bridgerton is a fantasy alt world - it can have steam-powered computers for all I care. My objection is specifically about falsely portraying real eras for the sake of casting diversity, which I think is a disservice to people who were held down in those real eras.
Fair enough, I have seen the same arguments applied to it is why I used it as an example. I don’t know what shows you are thinking of, but are they misrepresenting things, or are they just using blind casting and asking you to suspend your disbelief? This is something we do without thinking when watching theatre, but it’s a bit more subtle when watching television or films because they go to lengths to make the environment feel more real.
Suspension of disbelief is great for science fiction and fantasy, but I don’t think it’s healthy to mask past realities. I don’t believe for one second anybody does “blind” casting - entertainment companies pander to what they think their audience’s main demographic wants, and they do extensive research to tell them what that is. They want to be on the audience’s side on every issue, support all the right things, criticize all the right things… there’s nothing blind or random about any of it.
Perhaps, or perhaps the casting team had other goals that aren’t so obvious. While it’s true there are purely capitalistic production firms, there are clearly things being made with artistic vision behind them, and sometimes that includes blind casting. Again, I suspect this is more prevalent in theatre, where audiences are more willing to accept, say, a woman playing King Lear, or black actors playing nobles in a historical setting. Because, on stage, you are already suspending lots of that disbelief - you’re not looking into a throne room, you’re looking at a stage - it’s easier to take it a step further.
But while less is asked of you when watching a historical drama on TV, you are nonetheless suspending your disbelief. You know really that cameras couldn’t have filmed this in the Victorian era, that’s not really Henry VIII, and Jesus wasn’t a white guy. The question is what makes it too jarring for you?
I noticed you’re quite focused on the production company’s intent behind the casting. Maybe it’s politically/philosophically motivated, maybe purely capitalist, or maybe artistic… But you can’t really know. And should it even matter to you as the viewer? I understand trying to unpick the artistic decisions behind a piece, but those of the production company? That doesn’t seem like something to bring into your viewing experience - just perhaps conversations like this one on the internet.
I’d invite you to try suspending your disbelief as you might when watching the Passion of the Christ, and see if you’re able to enjoy these films/shows despite the historical inaccuracies.
You took the words out of my mouth, both of those are such libshit that I cringe my asshole out.
That’s another aspect of it - those practices aren’t “libshit” they’re corporate shit. Same as sticking a big GREEN label on random products.
Ya know, there’s a scene in The Boys where Maeve is outed as a bisexual, so they decide to promote her queerness as part of a “Brave Maeve” campaign to encourage those in the closet to come out.
But then they tell her she has to be a lesbian, not bisexual, because bisexuality is “too confusing”, and even then they police what behaviors she is and is not allowed to do; she can be a lesbian but not “too gay”, and she’s only allowed to date feminine individuals while presenting as masculine or vice versa because to do otherwise is to “send the wrong message”
This basically ruins her life, forces her girlfriend to break up with her because she can’t take having to be a “Model Minority” at all times, and Maeve is left so broken she almost reveals the fact that she and Homelander don’t actually save people to the whole world.
When I saw that, I was like “Holy shit, finally, someone else who understands why I, a transgender woman, actively avoid media that caters to the LGBT community. Finally, SOMEONE gets it and they’re making sure other people get it too.”
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Alan Turing… Nuff said
You only have to look at any anti-woke review for a few seconds to figure out it’s only ever racism, misogyny, and anti lgbtq hate. They aren’t like ‘‘This is why it’s woke’’ with some philosophical discussion, it straight up is ‘‘there’s a black in this game, that’s wrong.’’
This was very evident with Concord the week it shut down. People in the YT comments were inevitably blaming woke politics because it had an arguably diverse cast even though the trailer was one of the most bland, unimaginative and unpolished pieces of advertisement I’ve ever seen. Oh, but it was the blue haired people’s fault for reasons! 🙄
I’m gonna get the quote wrong, so I wont even try, but some internet person basically said that any time there’s a failure, the worse people will come out to claim it as a victory.
Game had cringe writing and was glitchy as hell? Oh, well it was the minority characters that caused it fail. Just ignore all the other games with minority characters that have succeeded.
Oh, this Lara Croft chick has to be a strong, independent woman, huh? Tired of shit like this and Metroid. Quit hamfisting women into things and virtue signalling
Never, ever, not in the entire 90’s decade I was alive did I even hear anything remotely similar to anything like that. It was unheard of.
No one even thought about it like that, or even had the concept to consider them that way.
…until 2016
They gave Lara depth and humanized her, and this made the horny gamer boys angry cause they just wanted to look at boobies and not think too much.
She had all that in the PS2 era and none of us cared then.
those games were also kinda mid…
A game is only called “woke” when it’s bad. Balder’s Gate 3 is one of the most “woke” major releases in the last few years but you hardly hear them complain about it.
It’s the same thing with cyberpunk 2077. The anti-woke crowd can’t agree on whether it’s woke because many of them like it.
I think the problem isn’t the wokeness for most people, but the awkward shoehorning of stereotypes and forced messaging that makes everything feel cheap and doesn’t contribute to the experience or story. For example having a lgbtq+ element for the sake of checking a diversity box, instead of it being a random fact of this world or character.
How do you differentiate between a character “written for the sake of checking a diversity box”, a poorly-written diverse character, and a “random fact of the world”? It’s a fictional world. Nothing is random. It’s all creative decisions made by a team of writers and producers.
I don’t think shoehorning in of diverse identities and character backgrounds is good representation or good art, and I completely agree with your point there.
But I don’t think that the people driving the current backlash bother to make those distinctions.
What I see is a lot of outrage being stoked by people using the (updated) language and tactics of gamergate, and I don’t think the result of that will be “better representation”.
I think the result will be devs being harrassed and pushed out of an already brutal industry.
Games like Cyberpunk have characters who are black, gay, etc. but it never impacts the player character’s decisions when interacting with them (besides romance options). Dragon Age The Veilguard has one character walk the player through their sexuality in cutscenes, making it forced and unnecessary information in the moment. It’s the odd injection of the woke rather than the woke itself.
Have you played the game?
I haven’t.
Do you have to interact with that character? In all the BioWare games I have played, you don’t actually have to interact with any companions at all outside of critpath questlines. Even big blowup moments like the Miranda/Jack fight only trigger once you’ve completed both of their loyalty missions, and you have to choose to talk to them to unlock those in the first place.
And since I’m assuming you’re referring to the Qunari companion, and I’ve watched a couple of critiques of the scenes I believe you’re referencing - it’s not their sexuality that’s being discussed, it’s their gender.
I’ve played Cyberpunk, haven’t played DATV but have seen a walkthrough. The cutscene we a referring to seems to be mandatory as no walkthrough or creator has mentioned a path that does not trigger it. There is another scene with the same character that plays as an akward sex scene. It again, feels and is forced, so people do not like it. If you removed these cutscenes and just had the character be trans it would be a non-issue.
An LGBTQ person doesn’t need “a good reason” for being written that way. If they did, then so would the straight person, no? Unless, of course, we’re trying to say that every story’s default needs to be a straight white man who doesn’t need to be constantly justifying his existence.
Frankly, these days you better have a damn good reason why we have to deal with the ten-thousandth same old shoe-horned straight relationship that only exists because two main characters happen to be opposite genders and roughly the same age. Like, yeah, who could have seen that coming wow good job here’s a sticker.
It’s not about checking a diversity box, it’s about the barest amount of representation. The LGBT people in my life don’t exist because they fit some kind of plot-point in my life; they exist because that’s just how the dice landed and they don’t owe me a justification for why they are that way in order to be my friends. That would be absurd, right?
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Sidenote: Everyone complaining about Veilguard(for example) forgets that a) Bioware is famously unclear about what dialogue choices do and b) they just don’t, historically, seem to have the capacity to write terribly creative games. They’re fine and I’ve enjoyed playing the ones I have but still.
I didn’t say they need a reason to exist. I said basically the same thing as you. A character is supposed to just exists with their traits and act naturally, instead of making diversity their whole personality. It’s the same thing as the classic token black guy in movies. Only present to serve the quota, not actually contributing to anything. And having a character make their straight-ness and whiteness their whole personality would be just as infuriating.
I dispise forced romance just as much as you seem to, it doesn’t matter to me what the genders involved are, if it’s there I want it to make sense and add something, not just tick a box.
Right, except that 99% of LGBT characters aren’t doing anything special and their mere existence, since we aren’t numb to it, is taken as some political act of tokenism. It’s as simple as being aware that you’re going to have biases and letting yourself get used to it instead of complaining about it.
And yes, some of it will be a bit heavy-handed and some will even be an attempt to get more money but like, so what? It’s not nearly as much as everyone claims and it all serves to normalize it so get over it. It’s not like there isn’t heaps of absolutely dogshit straight writing that we are fine ignoring for the sake of the rest of the game. Tthe second it’s the same thing but with a gay character every shitstain gets all bent outta shape over it like their problem isn’t their own homophobia.
Woke activists have already said that they are willing to annihilate and scorched-earth and salt-the-fields if DEI ESG woke things arent put front and centre into video games.
So maybe we dont need people who actively hate video games and gamers to be in the video game making industry. The woke can go be part of Hollywood leave the gamers alone.
Woke activists have already said that they are willing to annihilate and scorched-earth and salt-the-fields if DEI ESG woke things arent put front and centre into video games.
What exactly is your problem with ESG, which measures the social and environmental impact of a companies actions? You think we… shouldn’t hold corpos responsible for their actions?
Elon Musk doesn’t want DEI, do you think maybe there might be a good reason the US has it?
So maybe we dont need people who actively hate video games and gamers to be in the video game making industry. The woke can go be part of Hollywood leave the gamers alone.
I’m going to need you to explain how wanting representation of non cishetero characters is proof of ‘people who actively hate video games and gamers…’
You want to know who hate video games and gamers? ‘Anti-woke’ gamers. All this whining and crying over having a character be bi, or someone being (gasp) non-binary is performative and ridiculous. If your entire day and gaming experience can be ruined by someone making a non-binary character in a fucking single player RPG, that’s laughable, and the taunting you’ll receive is justified.
I bought BG3 due to constant negative comments about it. It’s woke, everyone is bi (sign me the fuck up), random misogyny, etc. I figured if they were that mad it had to be good, and 427 hours of gameplay later I am glad I did that.
There were absolutely people calling that game woke. You didn’t hear them because they were drowned out by the good press. It’s not that game is only called woke when it’s bad, it’s that when a game is good there’s enough positive publicity to drowned out the negative.
BG3 doesn’t lecture you like other games though. There is a difference between having these people live in your world vs being the spokesperson for BLM.
The difference isn’t in subject matter, but writing quality. I like retro shooters and considering Build Engine(think Duke Nukem) style games are based on movie genres, I’d love a blaxploitation game were I’m shooting Nazis and throwing molotov cocktails at clansmen. The subject matter would absolutely be in you face.
Remember, people got offended at how Nazis were portrayed Wolfenstein, a game solely about killing Nazis.
We can critique the writing of games like Dustborn, but the moment you start complaining about “wokeness”, you signal that you’re just gaming the algorithm for the lowest common denominator of viewer to drive that ad money up.
Which games are like that, though?
To be fair, what the OOP is describing is “diversity in the video game industry”, not “woke games”, per se. While I doubt anyone here has objections to the former, I also doubt that anyone here is a fan of “Dustborn”, as an example.
I hate this kind of comment. A bad game doing poorly that happens to be “woke” isn’t evidence that being “woke” made it bad. For example, Dragon Age Origins is pretty “woke” (especially for its time) but it’s recognized as an amazing game by pretty much everyone. If you make a great game that’s written well, it’s probably going to be received well. The issue is modern AAA gaming just makes mass audience slop that is devoid of passion and dictated by suits to chase trends. Being “woke” doesn’t matter. Being good matters.
I thought the hamfisted shit was what most meant when they talk about “woke”.
They tell you they only mean the ham-fisted stuff to get “reasonable” people to agree with them, then they move the goalposts and start calling everything else woke, regardless of “ham-fistedness,” to get “reasonable” people to expand their definition of “woke” in a pejorative sense and associate a wider range of media as being “woke and therefore bad.” Just like they did in past decades with “political correctness.”
I think it could just be that the hamfisted stuff is the most egregious and visible example so it’s what most people mean and agree on as “woke”
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Dustborn is a good game that has been incredibly misrepresented. Take the “you are racist” scene copied and pasted from video to video for example. It’s presented as the game’s Black protagonist just accusing two cops of racism for no reason.
In the actual game, it’s one of the multiple dialogue choices that may not even happen if one of the protagonist’s friends intervenes. The context that is omitted from the culture war videos is that the protagonist comes out of the bathroom of a diner and sees two Justice officers:
- Talking about arresting her friends for no reason other than being tired of waiting for the waiter.
- Going on a long rant about Anomals (read as mutants of the X-Men, which is one of the inspirations behind the game), saying they’re monsters whose babies come out damaged, missing body parts, and that they shouldn’t procreate at all so that there are “fewer scourges on the planet”.
- Asking the protagonist questions (which is fine for a police officer) while being disrespectful, like when she says she’s in a band and they ask if she’s the groupie.
- Depending on the player’s actions, the same officers may also ask if the protagonist and “the Black kid” from her crew are related, then among themselves argue on whether that’s racist, to which the protagonist may reply with the Trigger Vox, which results in the “you’re racists” phrase.
Also worth noting that from the very first scenes of the game, the player is discouraged from using the special abilities, Vox, as they force people to do things against their will, so many players would never see that reaction intended to be over the top (as evident from the in-game post-chapter choice stats indicating that the majority don’t use Vox on other occasions).
I’m going to come at this from a movie rather than a video game place, but:
Which is more “woke:” Enemy Mine, or She-Hulk?
Enemy Mine is about a human and an alien (played by a white man and a black man) starting the movie as enemies. Actual shooting war “We were in a dogfight and I was trying to kill you with guns” enemies. And when marooned on an inhospitable planet they learn to understand and even love each other.
She-Hulk is about Nth-wave feminism talking points. “They catcalled me in a parking lot and it made me mad.”
You know that guy who does “honest movie trailers” on Youtube? He did one for Star Trek TNG, and he says “It’s the future, and the Future. Is. Woke!” And he said this before the word “woke” was co-opted by the right meaning “anything regressives don’t like.”
Gene Roddenberry had a vision for the future where we were past it all. Humanity is beyond racism, beyond sexism, beyond classism. Even if he couldn’t live up to it himself (He did put Marina Sirtis in a minidress and in a chair with no console in front of it to make it easy to look at her legs. And there was that really cringey episode where they go to the black people planet where everyone is all tribal and primitive, that was ugly) he aspired to that future. Probably the most powerful to me, he wrote characters who, when confronted on their ideas, would re-evaluate and even change their minds. Data called Picard out in “Measure of a Man” and Picard changed his stance and fought for what he now realized is the truth. That is the manliest moment ever broadcast on television.
I grew up with that show, I was born in 1987, same year the show premiered, some of my earliest memories is watching TNG on my parents’ Zenith console TV. That idea of “we’re past that now, we put aside our differences and we work together as a team of equals now” vision is what I thought we were all working toward. That that was the future we all wanted. Couldn’t be farther from the truth. The radical right are actively avoiding it clinging to some weird idea of a white hegemony. Surprised they don’t call the invention of the diesel powered tractor an affront to their heritage because it deprives them of a reason to harm black people.
Most other groups of people are busy fantasizing about having their turn as the despotic rulers. “When we come to power, we’ll enslave you and see how you like it.” That type of shit.The people who call themselves “Woke” like the aesthetic of people who aren’t straight and/or white and/or male doing creative things, but the things they create are basically never about everyone learning to get along and building better futures for each other. They make talking point grievance airing revenge porn and dare their targets to dislike it.
That idea of “we’re past that now, we put aside our differences and we work together as a team of equals now” vision is what I thought we were all working toward. That that was the future we all wanted. Couldn’t be farther from the truth. The radical right are actively avoiding it clinging to some weird idea of a white hegemony
This is true about Star Trek, and the TNG era in particular. No way you could watch those shows and not come away with the understanding that people struggled to be the better human being and had achieved significant gains in the fictional universe.
I wonder what TV shows the racists preferred.
I thought I had read somewhere that Zoid Kirsch is also gay. He had quite an impressive career in gaming.
He created Threewave CTF, which was an incredibly inspirational mod for the original Quake. Practically defined team deathmatch arena games to this day. Got hired by the legend John Carmack to work at id Software shortly after and helped develop QuakeWorld and subsequent Quakes.
You know what was surprisingly woke? Smokey & The Bandit.
You’d think the truckers would be all white guys, and they’d be casually racist through the whole thing since it’s the 70s. But it wasn’t. Truckers of all shapes and sizes. And the main trucker character is friends with black people.
In the 70s. In a trucker movie. Set in The South.
Is that dude waiting for an American Black Woman to invent punctuation marks?
Oh, I like you.
There’s nothing wrong with calling a bad game woke if they’re trying to cover their blatant flaws by tokenizing minorities and lgbt. See: Concord
that’s horseshit. there is no such term for games that use sex to appeal to young boys to cover their blatant flaws.
plus that’s not why they’re doing it. two things can coexist without causing one another. that’s very disingenuous.
Picking a game that was already bad for 700 reasons doesn’t make the idiotic “woke = bad” label okay. The writing in a live service game was never going to be great.
I think part of what has happened is a group of people has identified that a lot of modern writing is garbage, but doesn’t know exactly what’s wrong with it. The issue gets blamed on whatever seems like the most obvious change to them. There are some stories with better writing that have a diverse set of characters, and while there are still weirdos on the internet that complain about it, the general market response suggests people are most interested in good media, and good media can represent a diverse range of people.
As for my take on modern writing, I think “design by committee”, by means of publishers and marketing specialists grasping more control over the creative process is the major culprit in its declining quality.
I realized this when I got into DBD and realized the game is in fact, very “woke”, and that it’s a core point of the game’s identity.
But it’s not a problem because it feels like a geniune effort by the Entity to capture a wide variety of survivors and killers from all walks of life, which translates into a lot of players able to look at the heroes and villains and go “Hey, s/he’s like me!”, which translates to putting in small things referencing sexualities and cultures to pander to those individuals.
The writing for all these characters are consistently good, except for when they aren’t (Looking at you Skull Merchant)
DBD IS a “Woke” game by every definition, but it isn’t shit and the story’s actually good because it’s clear the people making it give a shit about what they’re doing and the “woke” aspects simply come from exploring the ramifications of having the kind of cast it does.
I began to suspect it when people were bitching about how “Rey’s a giant Mary Sue!” in Star Wars
Because she isn’t. She actually LOSES most of the fights she’s in, can’t control her powers well for most of the films, and “How can she fly the Falcon so well!?!?!” was a common complaint even though she literally breaks the damn thing while doing so, meaning she can’t “fly it so well”, Rey as a character is clearly not the problem, but people latched onto her because she was something they could point to and say “HERE’S THE PROBLEM!”
So what WAS the problem with the sequels? The problem was they were so scared of doing something new with the Star Wars brand (Due to the fact that the prequels did something new and were lambasted for it) that they largely rehashed IV, V, and VI, without a plan for actually weaving one consistent story (Last Jedi and Rise of Skywalker are great movies… that feel like they belong in separate trilogies)
And yeah… that and I will agree with the bashers in that making Luke’s Jedi Order fail and killing off all of his students off-screen without introducing any of them was basically Disney throwing money away.
Don’t call it “Woke” though. Call it Faux Woke or Rainbow Capitalism. The term “Woke” carries specific baggage.
Remember the Dead Rising Remake that removes the erotica category from photos, changes Larry from being asian to being a new yorker (Cause Asians can’t be evil, unlike White people!), and removing all reference to the Vietnam War (Because Communists can’t be evil?)
Yeah… Dead Rising kept getting worse with every entry, but damn the fact that they went back and made the first game seem shitty is an accomplishment (Especially since between the Wii Version and the Remake, they did that twice!)
Starfield is another good example.
Some of you may have seen HeelVsBabyface’s infamous “pronouns” rant video and taken it a bit out of context. Many said he was upset at the sight of a pronouns selection option on the character creation menu. His rant actually came a few hours into playing after a series of quests with incredibly contrived dialogue.
I really hate how too many games, and it’s games especially that do this feel the need to pretend that gender doesn’t exist.
When a game puts it in your face that this character is is gay/trans/ethnic in a way that feels arbitrary to the setting or effected character, it comes off very much like a political move for sales.
Let’s use soldier 76 from overwatch as an example. The way he was written on top of the are they aren’t they thing he had going on with Ana didn’t support him being gay at all. The announcement that he is gay came completely randomly and really fealt like a political move to add a little more representation.
On the other hand, we have good characters who happen to be LGBT, Ellie from the last of us, or my personal favorite Veronica from New Vegas.
I agree with you, slapping a veneer of diverse identity on a character post-facto is often just performative bullshit. At best it’s bad representation, at worst it’s cynical pinkwashing and pandering for profit.
But that’s not a distinction I have ever seen an “anti-woke gamer” railing against.
What I do see them railing against is any representation in games that does not pander to their own personal preferences.
Did you not encounter any of the backlash to Ellie’s sexuality? Honestly I think FNV only escapes a lot of that kind of vitriol because it was released pre-gg.
I won’t disagree that Soldier’s gayness came pretty much out of the blue, but I don’t think it’s a good example of something that was “put it in our face”. I play Overwatch regularly still with people who have no idea he’s gay - the game itself doesn’t say anything about it, at least not that I’ve seen. The only way you’d know originally is if you followed Overwatch social media or read the blog post they announced it in, something that only a small fraction of players actually do.
good characters who happen to be (whatever)
There it is!
Remember when Sierra had to hire an outside company to do King’s Quest 8, and they completely ignored Roberta Williams’ notes, instructions, and design simply because “You’re a woman, you don’t know anything about games, shut up and let us work. This is going to be an RPG, not an Adventure game, and you’re going to like it little lady!.. Who is also the wife of the owner, the co-founder of the company, and the creator+headwriter of the series we’re currently working for.”
And it kept happening no matter how much she complained, so eventually they had to kick them out, but there wasn’t enough time to make a new game so the “Not King’s Quest” King’s Quest game had to be released to try to make money back…
And it was basically a shitty version of Ultima 9, an already shitty game, and was so bad and tonally out of place with the rest of the series that the King’s Quest Collection on Steam only has 1-7 and the Reboot?
Yeah I normally like to root for the underdog game of a franchise and try to defend it, but KQ8: Mask of Eternity can get fucked.
I’m not even a King’s Quest fan, but it’s one of the most infuriating cases of sexism I’ve ever had the displeasure of learning about.
Imagine this happening in any other context. Imagine Square Enix hires a bunch of white guys to do Dragon Quest, sends in a higher-up to make sure it stays on brand, and they just tell him “You’re asian, what do you know about good games?”, and turn in a grimdark first person shooter that just happens to be called Dragon Quest, and Square Enix is in such a dire financial state that they’re forced to publish it as a mainline entry.
That’s basically what happened.
Jeez. I played and enjoyed that game as a kid, but I had no idea why it was such a bastardized tonal shift from the other games.
I’m just going to say that a lot of creative, innovative, or interesting things, regardless if they’re physical items, narratives, gameplay mechanics, or even just a new process for handling a particular task, is borne from diversity.
We are different. That difference is a strength. The more different we are, the larger of a gap between how I approach an issue and how you do the same. The Delta between your approach and mine is beautiful. One may be more efficient, one may be easier, one might be less expensive to do.
If we all thought the same, and we were extremely similar in what we knew and how we thought, nothing would ever change. Progress would not be possible.
A great example of this is with the blue LED. Most companies have been able to make blue LEDs for decades. The problem is, they were expensive, and shit. They couldn’t brighten up a shoe box.
One guy took a blue LED manufacturing process that everyone else abandoned, and worked with it for the better part of like, 5 years or something. He invented the modern blue LED in all its glory. Bright enough to blind you from across the room, and cheap enough to produce that they ended up in a lot of places they probably shouldn’t have been. That experimentation also yielded a near ultraviolet version that with a simply phosphor filter, can be converted to visible light, and white LEDs were born
Yeah, and the guy that invented the blue LED - essentially saving the company - got shit upon because he did so against the orders of the company head. They then went after him legally when he took a job at another company.
He actually won a lawsuit against them later but my understanding is that after legal fees etc didn’t really come out ahead. It’s a pretty sad story.
Diversity in entertainment is important, and ultimately done right it’s also good for profits. Having a game, movie or produce that appeals to a broader audience is good for sales.
At the same time, some entertainment does come with an existing core audience and a bit of a “formula”, so altering that too much does risk alienating that core, and frankly some duds get blamed on 'ism when the reality is they’re just not that good or changed too much. “The Witcher” flubbed because those writing the scripts were increasingly out of touch with the original material, but if they’d also done something like make a Geralt (or somebody else significant) a different orientation, race, gender or whatever then some would have blamed that failure on the anti-diversity crowd.
There’s been a ton of Blame on both the show being ‘woke’ and the internet hate machine. The first season was pretty good imo, well done outside he fact it was a TV show with limited resources. But the second season was so badly written. You can change all you want as far as I care, but they wrote that season after completely ignoring who any of the characters were in season 1. And giving them intentionally the opposite personality, and motivations from the books they were supposed to be adapting. It was just bizarre, and insulting to watch, I get why Cavill bailed, anyone with the financial means should have done the same.
But it wasn’t because they had black actors, female characters that talked and wore clothes, or mentioned empathy, and it didn’t fall out of favor with audiences because internet trolls stank on it. It was just badly done in ways that felt lazy and dumb.
To be fair, though the early video game industry was created by and included a diverse group of people, the games themselves were made to sell their niche demographic. At the time that was young white boys. As a result not many games of the early era showcased the positive side of diversity, and often times portrayed it negatively, even if it wasn’t intentional.
The past these people are comparing modern games to isn’t imagined, it’s real. As the gaming industry has grown to the now extremely large range of people it has, and through a shift in social culture over the years, the content, intent, and purpose of the games themselves have drastically changed.
The people who complain about “woke” games main program isn’t an issue with games, but more about their inability to accept the societal and cultural changes happening around them. They refuse to accept that the types of games they loved as a kid had a lot of problematic cultural issues.
So basically they’re mad that the racist and/or homophobic and/or sexist themes that they loved in old in games aren’t acceptable anymore.
the games themselves were made to sell their niche demographic. At the time that was young white boys
In the beginning, before Nintendo started hammering the idea that video games were for kids, games were often targetted for an older audience. This is particularly true of home computer gaming, the bread and butter for the likes of Sierra and LucasArts. Even after the Nintendo there was still a lot of mature and even adult content being made, as well as content in genres less popular to children such as simulators.
From my own experince: Sierra’s Roberta Williams was the designer of the whole King’s Quest series (I believe?), and I remember a lot of discussion about them (and especially hints lol) on my BBS by men and women alike, nearly all working adults. I can’t speak for the entire demographic of King’s Quest players but I mean people logging into BBS’s probably were the main demographic lol.
And they dont buy the game and vote Trump. (or over here the dutch dude with the weird hair.)
In the end the videogame industry is not about being politically correct. Its about making money.
I for one am very curious how this all will work out.
I do think we all should “chill out” a bit about these “issues”. A lot of people, everyone even, do not care what you do or don’t do. Nobody wants to tell you how to live your life. But that goes both ways. And if you don’t respect that you get a push back, an overreaction. And that is what’s happening now.
People see “gay stuff” (…) everywhere. The sociatal change is too much too fast and like in IT projects, we’re reaching or have already exceeded, the change capability of our society.
So ease back and it all will work out. Give it a few more years. We’ve come so far, maybe it is time to just sit down for a while and smell the flowers.
Or don’t, feed the overreaction some more and see if it implodes. But it can also explode in your face, its 50/50.
So ease back and it all will work out. Give it a few more years. We’ve come so far, maybe it is time to just sit down for a while and smell the flowers.
This attitude is acceptable when you’re talking about something that is purely a matter of preference. I could say that to someone who tells me “Oh, it sucks that I can’t eat out at 99% of restaurants, because I only eat biodynamic food, and nobody knows wtf I’m talking about with my weird dietary questions.”
When it comes to something inherent to people, which cannot be changed and causes them to face discrimination, I find this take to be naïve, at best, and entirely ignorant and dangerous, at worst. At every turn, there are people actively trying to strip women, minorities and LGBTQ+ people of their rights in spite of active pushes to ensure they don’t lose their rights and can enjoy equality with everyone else. I find it rather callous to suggest that members of these groups should just chill out and hope for the best in a few years while they face potentially existential threats from complacency.
The attitude works out when you’re on the majority side. When you’re a minority, it’s basically just telling you that you don’t get the same privileges as the rest. “You can have a little bit of acceptance for now, as long as you keep quiet in your little corner”
So that fact is wrong, it was a Jewish man who escaped nazi persecution. I dont think this is historical appropriation on purpose. Clap back politics don’t provide anything, and in this case accidentally lied. It’s usually free nowadays to check your facts before posting.
did you point at something when you typed “that”? because the rest of us can’t see what you’re pointing to.
Which is the incorrect part, the console itself or the person who invented it? You weren’t really clear on that and it shows the Fairchild F was designed by a black man in Google but I didn’t search too deep.
Clap back politics don’t provide anything
Clap back politics isn’t for the opposition but for others on your side to gain a new perspective by pointing out the things people knew but couldn’t put into words. It’s a tool for our collective awareness. I wouldn’t say it’s useless.
