ComradeRat [he/him, they/them]

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Joined 4 years ago
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Cake day: July 27th, 2020

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  • I do not think writing fiction for entertainment art is “falsifying history”.

    If the setting is “historical” or “realistic” it is imo, bc, as I said above, you have to present history reductively, as a compelling, coherent narrative and with the unknowns smoothed out or filled in by imagination. (And all that is assuming the writer has done research into the topic—most artists dont)

    The history of knowledge of druids, witches, the middle ages, the middle east and more demonstrates how distorted views can become when the tendencies of capitalist media are allowed to run rampant. Anti-indigenous racism are more serious examples of how these distortions can be harmfulm.

    More general fiction outside of “historical fiction” isnt what the post is about, so idk why youre bringing it up. If theres dragons, magic, etc and it doesnt take place in “real life” people are significantly less likely to confuse stuff in it for real facts about histories or cultures.

    giving this entire entertainment sector to the capitalists to falsify history in the way they want it with literally no counter balance.

    As I understand it, that’s a large part of why the firewall exists isnt it? So that the western created ideological products dont become the cultural mainstream?


  • “Falsification of history” (or science, etcetc) isnt a thing I get the impression the cpc wants to support (and frankly i dont support it either, but im just one poster)

    “Cultural fight on this front” cultural fights to falsify history in the name of profit-driven consumer-entertainment dont sound like things historical materialists should be engaging in. Falsifying the history we’re materially analysing is a recipe for disaster. Frankly the whole idea of a “cultural battle” that can be fought, lost or won reeks of the german ideology Marx was criticising:

    It was a revolution beside which the French Revolution was child’s play, a world struggle beside which the struggles of the Diadochi [successors of Alexander the Great] appear insignificant. Principles ousted one another, heroes of the mind overthrew each other with unheard-of rapidity, and in the three years 1842-45 more of the past was swept away in Germany than at other times in three centuries.

    All this is supposed to have taken place in the realm of pure thought.

    Certainly it is an interesting event we are dealing with: the putrescence of the absolute spirit. When the last spark of its life had failed, the various components of this caput mortuum began to decompose, entered into new combinations and formed new substances. The industrialists of philosophy, who till then had lived on the exploitation of the absolute spirit, now seized upon the new combinations. Each with all possible zeal set about retailing his apportioned share. This naturally gave rise to competition, which, to start with, was carried on in moderately staid bourgeois fashion. Later when the German market was glutted, and the commodity in spite of all efforts found no response in the world market, the business was spoiled in the usual German manner by fabricated and fictitious production, deterioration in quality, adulteration of the raw materials, falsification of labels, fictitious purchases, bill-jobbing and a credit system devoid of any real basis. The competition turned into a bitter struggle, which is now being extolled and interpreted to us as a revolution of world significance, the begetter of the most prodigious results and achievements.


  • Idk if this is true or not, but if it’s not true it should be imo

    way too much ‘common knowledge’ of science, history, politics in the west (i’ve never lived outside it so idk what its like outside) is based on what people see on tv/fiction/twitter/etcetc, which is made 1. by people without expertise in the subject 2. by people aiming to entertain (and profit) more than to inform.

    This creates extremely distorted views of history. It communicates outright wrong or fabricated information mixed (without distinction) with truths for extra confusion. It communicates idealist ways of thinking about history, as great man theory abounds because of literary requirements for characters and a compelling narrative. And then such media usually portrays knowledge of history as more complete/settled than it actually is, because long descriptions of theories and countertheories make sales plummet






  • Sorta. It’s very materialist. It treats economics as the foundation of historical development. Interest groups attract people based primarily on material concerns. Classes hence struggle against each other (afaik without scripting) and create alliances with other classes and do revolutions. What its really missing imo is the environmental aspect to be truly ‘marxist’ tho (the 19th century is when concerns about “what happens when we run out of fertiliser/trees/fish/etc” started really growing as a result of unprecedented extractivism, and these are recurring concerns in Capital)

    I wonder if it is because with the game becoming less popular again

    A lotta the reason people keep talking about marxism in vicky3 is because the devs of vicky3 outright said they uesed some of Marx’s economic theories because it makes for good game design.

    Also something something reality has a marxist bias.